Saltaire shoot
These
are the two images I selected from my Saltaire shoot. As a class we were asked
to go off in groups, and take photos of seven different colour groups from a
list of pre selected ideas for images. For example finding seven different
colours of a door. The task was constructed so we would have at least five
images per colour. I enjoyed being out and taking photos freely and wanted to
take photos that were original. I wanted to find images that I found
interesting and not limited by the task. Having a task focused my mind and
allowed me to fufil the brief. However, as a result I paid less attention to my
environment and this curbed my creativety and freedom to capture things that
interest me. I found this frustrating so I decided to expand from the brief and
explore my environment more thoroughly. I was drawn in by really dark blue
stained windows in a courtyard I came across, and by getting closer and
exploring the area I discovered grape vines and was excited by this discovery.
An aspect of photograpy for me is capturing things which are often bypassed.
Capturing the grapevines was like discovering treasure, capturing things that
you otherwise you wouldn’t be aware existed.
I didn’t like being constrained to a group, having to decide as a group where we shoot photos. I felt panicked and more pressure than usual to take pictures. I was worried that I wouldn’t get everything done on the task sheet. However, in the end I took photos by what I was drawn to. I found Magenta and Cyan particularly hard to locate. Where as, reds, yellows, blues, greens and blacks were much easy to come across. I had my camera set on manual so I could adjust my settings to enhance the colour of the images I would be taking.
I didn’t like being constrained to a group, having to decide as a group where we shoot photos. I felt panicked and more pressure than usual to take pictures. I was worried that I wouldn’t get everything done on the task sheet. However, in the end I took photos by what I was drawn to. I found Magenta and Cyan particularly hard to locate. Where as, reds, yellows, blues, greens and blacks were much easy to come across. I had my camera set on manual so I could adjust my settings to enhance the colour of the images I would be taking.
I
learned that if my camera settings of contrast and vivdness become too high the
colour magenta becomes more of red in colour. I took one picture on auto
setting and one on manual mode so you can see the difference.
Manual Mode
Auto Mode
After
making a contact sheet out of my Saltaire shoot, I realised that I need to
focus on the specific images I have been asked to collect rather than the
images that interest me. I also need to diversify myself when taking images, to
make sure I don’t have multipal shots of the same photo.
This is a photograph of my friend Michelle’s cyan coloured
socks. There is a nice contrast between the green and cyan. The dark shadows
within the green background make the cyan stand out more. The curvatures of the
feet draw the eyes down towards the centre of the image. There is a sadness to
this image, for me it has connotations of death and murder. The imperfection’s
of the socks adds a realness to the image. The scale is difficult to determine
which adds a mystery to the subject matter. This gives it a feel of loneliness,
cold and vulnerability. The colour of the socks adds to the coldness and
suggests that the person may be cold, adding to the idea of death. There is two
subject matters nature which is alive, and the socks which are so out of place
that it creates a mystery which in turn creates an uncertainty and can become
unsettling for the viewer.
I chose the second image because it coincides with one of
the objectives of the task which was to take a picture of a car. I took into
consideration the composition of the image by moving around the car and looking
at it from different angles. I chose this side of the car as I liked the way
the light hit it. I waited for the sun to hit the car at a certain angle in
order to bring out the brightness. I like how the light and dark curves within
the image give the illusion of speed and power. The lines within the image give
it definition and depth. To me this car looks likes it could go really
fast. I like the reflection of the
pavement which is empty and to me this links to people becoming reliant on
vehicles to transport them and how now pavements are often empty. The colour of
the car is so vibrant and reflects how warm it was on the day of the shoot, I
think I have captured that warmth of that day in this image.
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